Vacheron Constantin Métiers d'Art Les Univers Infinis Angel (86222/000G-9804)

Vacheron Constantin Métiers d'Art Les Univers Infinis Angel (86222/000G-9804) Replica Watches

Vacheron Constantin
Serise:Vacheron Constantin Métiers d'Art
Model:86222/000G-9804
Case:
Case Material:White gold
Case Glass:Sapphire
Case Back:Open
Case Shape:Round
Case Diameter:40.00 mm
Case Height:8.90 mm
W/R:30.00 m
Dial:
Dial Hands:Alpha
Movement:
Automatic movement with center seconds, minutes and hours, developed and crafted in-house by Vacheron Constantin. Oscillating at a rate of 28,800 vibrations per hour, this self-winding calibre equipped with a 22-carat gold oscillating weight ensures an approximately 40-hour power reserve. In line with the grand tradition of calibres from the Manufacture, the bridges are manually cut out and bevelled, the sides are hand-drawn with file strokes and each screw is meticulously polished.
Type:Automatic
Brand:Vacheron Constantin
Caliber:2460 SC
Display:Analog
Diameter:26.20 mm
Jewels:27
Reserve:40 h
Frequency:28800 bph
Time:Minutes, Hours, Seconds

Part of the second series of the Les Univers Infinis collection, inspired by the work of the Dutch artist Maurits Cornelis Escher, the 'Angel' was introduced in 2013. The collection displays a blend of the Artistic Crafts cultivated by the Geneva-based manufacture: engraving, enamelling, gemsetting, guilloch�� work and the new technique of gold and mother-of-pearl marquetry. On the dial of the 'Angel Watch', angels and demons face off in a contrast that is both symbolic and aesthetic. The former are in light, the latter in darkness, yet neither side appears to prevail over the other. Inspired by research conducted by Maurits Cornelis Escher on the ��circular boundary�� �C involving d��cor composed of infinitely multiplied elements radiating out from a central point �C the watch portrays these respective figures through a subtle combination of the arts of engraving, enamelling and guilloch�� work, skilfully playing on depth and shimmering mirror-like effects. Working with a white gold base, the engraver first traces the outlines of the figures and then hollows them out as cells using the champlev�� technique. Next comes the copperplate engraving that defines the details of the demons. The enameller fills the cavities thus hollowed out, an operation requiring infinite precision in that the repetitive symmetry of the pattern simply cannot tolerate even the tiniest flaw. After several firings in the kiln, during which the grey and blue colours are progressively set in place, the artisan applies a final layer of translucent enamel to the imps in order to accentuate the depth of the engraved motifs. The guillocheur then moves into action to craft the angel robes and wings by patiently incising the colourful material. It is extremely rare that guilloch�� work on an enamelled model is done as the last phase, precisely due to the extreme complexity of such an operation, since any slip of the tool could jeopardise the precious work of an entire team of artisans.